PATSY PAYNE
CV
Curriculum Vitae: Patsy Payne
Solo exhibitions​
2025 Intertwined, Druckatelier/Galerie Tom Blaess, Bern Switzerland
2021 In Between Dreams, Druckatelier/Galerie Tom Blaess, Bern Switzerland
2016 Adrift, CCAS Manuka, Canberra
2013 Beyond, Electric Wall, Electric Shadows Bookshop, Canberra
2012 Mirage, Canberra Contemporary Art Space
2012 Wraith, Brenda May Gallery Sydney
2011 Passage, Druckatelier/Galerie Tom Blaess, Bern, Switzerland
2010 Freefall, Brenda May Gallery Sydney
2009 Chimera, Brenda May Gallery Sydney
2009 Inside Out, Tadu Contemporary Artspace, Bangkok
2008 Natural Systems, Helen Maxwell Gallery Canberra
2007 Range, Druckatelier/Galerie Tom Blaess, Bern Switzerland
2007 Range, Helen Maxwell Gallery Canberra
2007 Mountain Building, Brenda May Gallery Sydney
2005 Fugue, Druckatelier/Galerie Tom Blaess, Bern, Switzerland
2005 Fugue, Helen Maxwell Gallery Canberra
2001 Afterimage, Druckatelier/Galerie Tom Blaess, Bern, Switzerland
2001 Afterimage, Helen Maxwell Gallery Canberra
2001 Hypochondria, Sydney College of the Arts Gallery
2000 Hypochondria, Wagga Regional Gallery
1999 Hypochondria, Canberra Contemporary Art Space
1996 Familiar, Forgotten, Australian Galleries Melbourne
1996 Contingent, aGOG, Canberra
1994 Murmur, aGOG, Canberra
1992 Thinking About Leaving, aGOG, Canberra
1990 Short Stories, Long Journeys, aGOG, Canberra
1990 Every Image is a Clue, Every Picture is a Secret, Tin Sheds Gallery, Sydney
1985 Prints and Drawings, Union Street Gallery, Sydney
1983 Anecdotes, Upstairs Gallery, Sydney
Group exhibitions (selected)
2024
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Lines of sight, with John Pratt at Belconnen Arts Centre, ACT
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Fred Genis A Printer’s Proof, Grafton Regional Gallery
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Grasses weeds and funghi Durras Progress Hall
2023
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Plant Stories, Botanic Gardens Canberra Visitors Centre
2022
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The Gosford Art Prize, Gosford Regional Gallery
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The Light Through the Trees, Durras Progress Hall
2021
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Awagami International Miniprint Exhibition, Inbi Artspace Tokushima
2020
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Seeing Canberra, CMAG Canberra
2019
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Take Time, Craft ACT Gallery Canberra
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Festschrift: A Celebration in Print SOAD Project Space ANU Canberra
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Coast : Zone of Uncertainty Gosford Regional Gallery
2018
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Celebration: 20 years of collecting visual art at CMAG, CMAG Canberra
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Infinite Conversations: Asian Australian artistic exchange, National Gallery of Australia
2016
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Mutable Realities, Nishi Gallery, Acton, ACT
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In Residence 2015, Megalo Gallery, Kingston, ACT
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8th International Printmaking Biennial, Douro, Portugal
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Frequent Flyers, Durras Progress Hall
2015
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6th Painting and Mixed Media Competition, Lessedra Art Gallery, Sofia, Bulgaria
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Surrounds, Watson Art Centre, Canberra
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2nd Global Print, Douro, Portugal
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Hazelhurst Art on Paper Award, Hazelhurst Regional Gallery, NSW
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Interchange, School of Art Gallery, ANU; Mosman Art Gallery; Wagga Art Gallery
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Chat 2; Exchange, CMU Art Centre, Chiang Mai University, Thailand
2014
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Resistant, with Nicci Haynes at FORM Gallery, Queenbeyan
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Pulse – Reflections on the Body, Canberra Mueseum and Gallery
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Interchange, Silpakorn University Gallery, Bangkok
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Recent Acquisitions, National Gallery of Australia
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Harbour Sculpture Exhibition, Woolwich NSW
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Chat, School of Art Gallery, College of Arts and Social Sciences, ANU
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Progressive Proof, San Francisco State University Fine Arts Gallery
2013
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Future Proof, CCAS Gorman House
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Stock Still, M16 Artspace Gallery Griffith ACT
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Undertone; The Front Gallery ACT
2012
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Awagami and Print Expression 2012 – Mixed Media with Digital Printing
Bumpodo Gallery Tokyo
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Assisted Reproduction: Out of the Light, School of Art Gallery, ANU, Canberra
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Beam projection; SPECTRA 2012: The Currency of Images in the Studio and Laboratory CSIRO Discovery Centre Canberra
2011
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Lovelace Powerhouse Museum, Sydney
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Tadu Contemporary Artspace showcase Art-rium, Bangkok Art and Culture Centre
Bangkok, Thailand
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Recent acquisitions Australian galleries, National Gallery of Australia
2010
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The Zou Ba Portfolio: Printmakers' Journey in China. Handwerker Gallery Ithaca College New York
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Those Who Travel, artists book published by ampersand duck, poems by Sarah Rice, design and images by Patsy Payne Launched June 23rd Canberra
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Finding Form: Disrupting Space/Creating Space, UWS Gallery, University of Western Sydney
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Earth Connections, Belconnen Arts Centre
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Crossfire 2, Wagga Wagga Regional Gallery
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Libris Awards: The Australian Artists Book Prize, Artspace Mackay
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Flipping the Bird, Navarro Lobby Gallery, Southwest School of Art and Craft, San Antonio, Texas, USA
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Sculpture 2010, Brenda May Gallery Sydney
2009
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Prints and Drawings from the CMAG Collection, Canberra Museum and Gallery
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Flipping the Bird, Print Walls Gallery, University of Wisconsin, Madison USA
2008
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Flipping The Bird, Lewis Art Gallery, Milsaps College, Jackson MS
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Zouba Portfolio Exhibition Southern Graphics Council Conference, Richmond Virginia USA
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Memento Mori, Brenda May Gallery Sydney
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Still Life, Brenda May Gallery Sydney
2007
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Print – Internationale Grafiktriennale Krakau-Oldenberg-Wien Kunstlerhaus Vienna
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Myself by Myself, Helen Maxwell Gallery Canberra
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At Home – an exhibition of images of hands Art Wranglers Canberra
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2007 China Sanbao International Printmaking Exhibition, Jingdezhen Ceramic Art Institute, China
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The story of Australian printmaking 1801-2005, National Gallery of Australia
2006
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Travel Notes, Cowra Regional Gallery
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Inklandia; contemporary prints, Purdue University Gallery, Indianapolis USA
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Fremantle Print Award, Fremantle Arts Centre
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International Print Triennale MTG-2006, Krakow and Vienna Contemporary Art Gallery Bunkier Sztuki
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2006 SilkCut Award for Linocut Prints Glen Eira City Council Gallery Caulfield Victoria
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Small, Brenda May Gallery Sydney
2005
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10 year Survey, Druckatelier/Galerie Tom Blaess, Bern,
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Works on Paper, Brenda May Gallery Sydney
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Flock, Helen Maxwell Gallery Canberra
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Busan International Print Art Festival, Busan, Korea
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Retro Active, Canberra Contemporary Art Space, Manuka, ACT
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Sleep of Reason, Albury Regional Art Gallery Albury
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Small Offerings, Cross Arts Projects Darlinghurst Sydney
2004
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Sublime Present International Aspects of Contemporary Art and Education
Musashino Art University Tokyo
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Surface Indicators, Canberra School of Art Gallery
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New Acquisitions, National Gallery of Australia
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Contemporary Australian Prints from the Collection AGNSW, Sydney
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The CMAG Collection Studio One Prints, Canberra Museum and Gallery
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Body Press Helen Maxwell Gallery Canberra
2003
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The Sleep of Reason, Cowra Regional Gallery
2002
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Zeichen der Gegenwart, Vienna Art Centre, Vienna
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International Digital Miniature Print Portfolio, University of the West of
England, Bristol, UK
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The Sleep of Reason, Canberra Museum and Gallery
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Grand Prix Exhibition, Contemporary Art Gallery, Katowice, Poland
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Intergrafia 2000, Museum Okregowe w Toruniu
2001
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No Muttering, Ivan Dougherty Gallery, NSW
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Intergrafia 2000, Municipal Art Gallery Czestochowa, Poland
2000
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Autour de Frans Masereel, Musee des Beaux-arts, La Locle, Switzerland
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Oeuvres graphiques d'artistes contemporains ayant travaille au celebre
Centre Frans Masereel, Aumonerie Saint Jacques, Chapelle des Penitents
Blancs, Espace des Arts, Gordes, France
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Death and Decoration, Plimsoll Gallery, Hobart, University Gallery,
Launceston, Glen Eira Gallery, Caulfield, New Land Gallery, SA,
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International Print Triennial Kracow; Intergrafia 2000, Katowice, Poland
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Intergrafia 2000, Czestochowa, Poland
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Y2K Print Symposium and Exhibition, Chung-cheng Gallery, Taipei
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Millenium Grafica, International Print Exhibition in Yokohama, Kanagawa
Citizen's Gallery, Iwasaki Art Museum, Japan
​
Collections
Amcor Paper, Melbourne
Art Bank
Art Gallery of NSW
Australian National Gallery
Australian National Library
Silk Cut Collection
Queensland State Library
Queensland University of Technology
School of Art Library, ANU
School of Art, ANU
Canberra Legislative Assembly
Canberra Museum and Gallery
Sydney College of the Arts Library
Wagga Regional Gallery
Frans Masereel Centre Archive, Royal Museum of Fine Arts Antwerp, Belgium International Print Triennial Collection, Krakow, Poland
Stiftung Schloss Haldenstein, Switzerland
Wollongong University Gallery
City of Fremantle Collection
Purdue University Collection, Indiana
Southern Graphics Council Archive, USA
Artspace Mackay
St Laurence University, Canton, New York
Boston University, Howard Gotlieb Archival Research Center
New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints and Photographs.
Publications
2017 “On the stage of his canvas: Robert Boynes’s ‘Modern Times’ at the Drill Hall Gallery” http://www.artmonthly.org.au/blog/robert-boyness-modern-times-at-
the-drill-hall
2017 “The Lady Botanist – Erica Seccombe” essay published in Imprint blog, May
2016 “Speaking Drawings: Works by Sally Miller” catalogue essay February 2016
2015 “Interchange: A printmaking dialogue between Australia and Thailand”
Imprint 50 number 2
2014 “Screen Test” catalogue essay June 2014
2010 “Pia Larsen: Love Rug and Other Objects”, review Imprint Summer 2010
2010 “Richard Blackwell’s Grotto”, catalogue essay September 2010
2007 “Trouble: Drawing by Alumni of the Printmedia and Drawing Workshop”
catalogue
2004 “Placemade and Studio One Archive”, review, Art Monthly #171 July
2003 “Islands in the Sun” Christchurch Art Gallery Bulletin September 2003
2001 “Artists Books in Australia”, essay in “Artists Book Yearbook 2001-2002”,
Impact Press, University of the West of England
2001 “Michael Schlitz – recent works”, catalogue essay
2001 “Islands in the Sun”, review, Art Monthly #140 June
2001 “New Directions”, contribution to proceedings of “latest editions” 2001
Postgraduate Printmedia Seminar, Canberra School of Art
2000 "Questions About Technology", Y2K Print Symposium Papers, Taipei
1995 Exhibition Notes, review, Imprint Summer 1995 Vol 30 #4
1993 “Time and Mind, The Work of Sutee Kunavichayanont” catalogue
essay, October 1993
Awards and Residencies
2023-ongoing
Maker in Residence, ANU Makers Space, Physics Department, ANU
2015 Megalo Print Studio residency
2014 Harbour Sculpture 2014 – Steel Scupture Stipend
2011 Distinguished Research Award, Australian Council of University Art and Design Schools
2010 Teaching residency in Fine Arts Faculty, Hochschule der Kunste, Bern,
November 2010
2008 Residency at the Faculty of Painting, Sculpture and Graphic Arts, Silpakorn
University, Bangkok (October 2008 – February 2009)
2008 Residency at the Centre for Fine Print Research, University of the West of
England, Bristol (September 2008)
2006 ArtsACT cultural grant
2006 Canberra Critics Circle - Visual Arts Award
2004 Australian Institute of Agricultural Science and Technology Prize
2003 Asialink Residency Award – Lunuganga Sri Lanka
2002 Vice Chancellors Award for Academic Excellence, ANU
2002 Canberra Critics Circle - Award for ‘Sleep of Reason’
2001 Artist in Residence, Schloss Haldenstein, Canton Graubunden, Switzerland
2001 Arts ACT quick response grant for presentation at Impact conference, Helsinki
1999 Finalist, National Digital Art Awards
1999 Artist in Residence, Frans Masereel Centre, Kasterlee, Belgium
1998 New Media Arts Fund, Australia Council - Grant for Hypochondria, Canberra
Contemporary Art Space
1998 Award of the Inter-Kontakt-Grafik Foundation, International Print Triennial
Prague 1998
1998 Irene Crespin Prize for Paleontology, Australian National University
1997 Department of Foreign Affairs and Trade - Grant for publication of Sons
catalogue
1993 Artist in Residence, San Diego Supercomputer Centre, University of California,
San Diego
1992-94 Artist in Residence, VisLab, Sydney Universities Visualisation Laboratory
Citations and representations of creative work in publications (selected)
2024 Fred Genis A Printers Proof catalogue Grafton Regional Gallery
2024 Sasha Grishin review of Lines of Sight RiotAct March
2016 Sasha Grishin review of Mutable Realities Canberra Times October 24th
2015 Patsy Hely and Sarah Rice Surrounds catalogue
2015 Sara Khamkoed review of Interchange in Rochford Street Review 19/6/2015
2015 Peter Haynes review of Interchange Canberra Times April 24
2014 Calculating the corporeal: ‘PULSE: Reflections on the Body’, Clare Capel-
Stanley, Art Monthly Issue 276, December 2014
2014 Peter Haynes review of Resistant Canberra Times
2014 Samuel Townsend review of PULSE BMA magazine November 17
2014 Interchange catalogue
2014 Pulse catalogue
2014 Chat catalogue
2014 Progressive Proof catalogue
2013 Undertone catalogue May 2013
2012 Awagami and Print Expression 2012 catalogue
2012 Sarah Rice catalogue essay Mirage 2012 Canberra Contemporary Artspace
2012 Art Almanac August 2012 p40
2011 Love Lace, Lindy Ward, Powerhouse Museum.
2011 The Hole Truth, Amruta Slee, Qantas magazine, August, illustration p.60.
2010 Powerline, the magazine of the Powerhouse museum, Summer 10/11
P 6 image
2010 Retroactive catalogue, August 2010
2009 Beth Grabowski and Bill Fick , Printmaking: A Complete Guide to Materials
and Processes, Pearson Education, p 85 image
2009 ACT Artnotes, Art Monthly Issue 22 June 2009
2009 Andrew West, article, Fine Art Magazine, February 2009
2009 Sutee Kunavichayanont, review, Bangkok Business Newspaper, January 10,
2009 Andrew West, Inside Out and Outside In, review, Bangkok Post, January 15
2009 Steven Pettifor, Inside Out, Bangkok Art Map
2008 Sasha Grishin, review, Canberra Times, May 2008
2007 East Meets West Catalogue of Sanbao Print Exhibition, Jingdezhen, China
2007 Helen Gyger, On the Impossibility of representing a Mountain, catalogue essay
for Range 2007
2007 David Wills, Mountain as Metaphor, Art Gallery Guide July 2007
2007 Tracey Clement, Metropicks Sydney Morning Herald March 23
2007 International Print Triennale MTG-2006 catalogue
2006 2006 Silk Cut Award catalogue
2005 Busan International Print Festival 2005 catalogue
2005 Sasha Grishin, review of ‘Fugue’, Canberra Times, March 10
2004 Sublime Present International Aspects of Contemporary Print and Art Education catalogue
2003 ANAT website, http://www.synapse.net.au/gallery.php
2002 Barb McConchie, review of ‘Sleep of Reason’, Muse, July
2002 Zeichen der Gegenwart catalogue
2002 Sasha Grishin, review of ‘Sleep of Reason’, Canberra Times, May 13
2001 Kiersten Fishburn, No Muttering, review in Artlink Vol 21 #4
2001 Ilonka Demhardt, Gast in der Kulturwerkstatt: Patsy Payne, Haldensteiner Bote
October
2001 Sasha Grishin, review of ‘Afterimage’, Canberra Times, July 3
2000 Intergrafia Katowice 2000 catalogue
2000 Australian Identities in Printmaking – The Australian print collection of the
Wagga Regional Gallery
2000 Briony Rhodes Death and Decoration Siglo 13 Winter
2000 Death and Decoration catalogue
2000 Millenium Grafica 2000, International Print Exhibition in Yokohama catalogue
2000 Y2K, catalogue, February 2000
1999 Australia Council Site http://www.ozco.gov.au/newmediaarts/ppayne.html
1999 ABCsite,Headspace http://artsabc.net.au/headspace/special/patsy/default.
htm
1999 Sasha Grishin, review of 'Hypochondria', Canberra Times, May 14
1999 Cassie Proudfoot, Mind , Body and the Other, Canberra Times, May 22
1999 Dr Steve Miekle and Jane Barney, catalogue essays, Metis - Exhibitions of
Science and Art, National Science Week, Canberra
1998 Patsy Paynova, article Grapheion 3-4 1998
1998 Jiri Machalicky, Labyrint, review, Atelier 22/1988
1998 Mirabel FitzGerald, catalogue essay, International Print Triennial Prague
1998 H Kolenberg and Anne Ryan, Australian Prints from the Gallery's
Collection AGNSW Sydney
1998 1998 Silk Cut Award for Linocut Prints catalogue
1998 Stone Fruits catalogue
1997 John Clark, catalogue essay, Sons
1997 Amcor Paper Awards, catalogue
1997 1997 Silk Cut Award for Linocut Prints, catalogue
1997 M. Manion, A Feast of Forms and Images, Australian Book Review, May
1997, Image p 13
1997 From The Studio of Master Lithographer Fred Genis, catalogue
1997 Chris Parvey, review of First Canberra Drawing Biennale, Muse, Feb 1997
1996 Imprint, Summer 1996, Vol 31 #4, Cover Image
1996 Sasha Grishin, Australian Printmaking in the 1990's, Craftsman House 1996
1996 Sonia Barron, review in The Canberra Times, December 1996
1996 First Canberra Drawing Biennale, catalogue
1996 Robert Nelson, review in The Age, November 1996
1995 Jenny McFarlane, review of ROMulus and RAMbo, Photofile, #46 November
1995 Aviva Finberg, Patsy Payne: Weaving Dreams, Imprint, Summer 1995, Vol 30
#4
1995 Radio interview with Jane Barney, The Body Imaging Project Canberra 2XX,
August 1995
1994 Sasha Grishin, The Reality of Fantasy, Canberra Times, Nov 1994
1994 The Body As Art, article in Research, Sydney University 1994
1994 Beware Books By Artists, Artists Book Fair 1994, Numero Uno Publication
1994 Gail Bamber, House of Memory, article in Gather Scatter, San Diego
Supercomputing Centre Newsletter, February 1994
1993 From The Lithographer's Workshop, catalogue, AGNSW, 1993